2020·中外艺术家《四条人》“隔空·对画”网络展览上线
2020·中外艺术家《四条人》“隔空·对画”
“Four Men” - Chinese and Foreign Artists Exhibition
2020·中外艺术《四条人》“隔空.对话”网络展览于2020年10月2日开展。
2020年突如其来的新冠疫情让世界放慢了脚步,禁足的四个月里激发了艺术家们的创作激情。2020·中外艺术《四条人》“隔空·对话”展由国际抽象艺术学会,中国国际抽象艺术联合体发起,由著名网络策展人郭连章、戴安娜·罗曼/罗马尼亚、李静策划。在世界几百位抽象派艺术家中选出四位不同国籍,不同艺术特点的四位艺术家共同参与,他们分别来自徐适(中国)、董达峰(中国)、塞吉尔(罗马尼亚)、米兰·潘泰利奇(塞尔维亚)。
深秋季节,伴着一场场秋雨,寂寞的我们,走入带着一丝丝沉淀的秋日,黑暗终将覆盖所有的色彩。清晨唤醒黑暗,让我们欣赏一场思维艺术家的作品网络展览,灵魂自由,黑暗里有了色彩。
参展艺术家(按年龄顺序排列):
徐适/中国
董达峰/中国
塞吉尔/罗马尼亚
米兰·潘泰利奇/塞尔维亚
学术顾问:
徐礼娴
朱森林
吴琼
策划人:
郭连章
戴安娜·罗曼/罗马尼亚
李静
艺术监制:
崔新未
包仲川
千华
纪刚
何新勇
邓婕/法国
翟智慧
王静如
赵会宁
JM.Garczynski/法国
Helen Lowe /加拿大
翻译:
白蓉
制作:
史玉英
主办:
国际抽象艺术家联合体
中国国际抽象艺术学会
国际青年艺术家联合会
中国抽象艺术学院
中法七彩文化交流中心
天津漫画家协会
达峰书苑
水香洲书院
深圳市盟世奇文化产业有限公司
展览时间:
2020年10月2日起
展览媒体:
百度 艺术头条 今日头条 搜狐号 天津美术网 静读书社 森林漫画
4 Heroes
The title of the show could easily be “4 heroes” because in China,the outstanding men are called "good men" 好汉, the ancient "good man", very good man, is called a “hero” - 四条好汉.
These 4 “heroes” of art are gathered in this exhibition, which aims to present powerful creators whose concepts revolve around existentialist issues pertaining to the modern world. The artworks of these 4 masters exemplify Existentialism's stress on subjective experience. Existentialism warned that the battle to retain our sense of self was a constant one, heroic and tragic, and it was urgently necessary in a world governed by materialism and greed for power.
Although the French philosopher Jean Paul Sartre said that existential aesthetics implies that the production of art for the sake of social change is a superior project to the production of just “art for art’s sake”, but I also think that "art for art’s sake" is capable of contributing to an individual’s existential project.
This is the case of Xu Shi’s artistic concept which relies on the Chinese philosophical thinking to express the spirit of "being out of nothing" and "being out of existence", thus entering the state of no-self. Xu Shi is a painter dedicated to reveal the beauty of music through painting, being the founder of the “Musical Abstractionism” in China. In Xu Shi’s opinion, painting combines hearing and vision, which is why his artworks reveal his personal experience when listening to music: his abstract paintings illustrate at best the fact that music presents information both sequentially, in the form of musical phrases, and simultaneously, in the form of chord structure. Xu Shi’s linear abstractions perfectly reflect musical structures that one can experience listening to classical masters like Mozart, Beethoven, Bach or Tchaikovsky.
The following three artists Dong Dafeng, Sergiu Roman, and Milan Pantelic explain through their powerful art that the profound global social or political changes unleashed dehumanizing forces, creating,widespread anxiety in modern society. While in the 20th century, the Holocaust and massive massacres of people in wars caused millions of deaths and incalculable human suffering,undermining the philosophical notions that we value life or believe in a common good, in the 21st century, the philosophical crisis has its roots in the changes brought by scientific discoveries, which have given the final blow to notions of god, an immaterial soul, spirit, self.
Dong Dafeng’s ink painting series aim to remind people of values such as truth, kindness, and the pursuit of beauty. Through his artworks, Dong Dafeng revealed a critical concept of a society driven by power, money, and carnal desire; his series made people deeply notice that these "vulgarities" are a challenge for any country. The real disaster. His abstract irony is awakening people to embrace true values again, warning everyone and future generations that love, respect, fairness, and honesty will slowly disappear in a world controlled and guided by money and power. The artist uses symbols in each painting and places them very carefully in the overall composition in order to obtain sufficient visibility and thus convey information. Dong Dafeng's abstract ink and wash works are full of power, both in his dynamic brushwork and the symbols expressed by the artist.
The abnormal behavior of some humans, throughout history, towards their fellow men, inflicted sufferings through mass and individual crimes; all these represent subjects chosen by Sergiu Roman in his powerful compositions. His conceptual background relies on existentialist issues, always dealing with the tragic and the extreme aspects of our lives: pain, alienation, anxiety; in his paintings, he combines elements from classical art (Caravaggio, Goya, Giorgione, Rembrandt, Bakst) with spontaneous, experimental bits, in his Abstract-Expressionistic manner of rendering the forms. Sergiu Roman’s paintings usually don’t present an explicit content, due to his predilection for enigmatic compositions, inviting the viewers to bring their own past experiences and personal feelings into their interpretation.
Milan Pantelic’s compositions adhere to the general approach of Hyperrealist artists: they are a comment on social concerns, political issues, or philosophical ideas. “The presented fears, struggles, helplessness do not allow us to silently and indifferently pass by the figures, or scenes and apathetically leave them behind. It is impossible for our dexterity and ability to react to stay out of reach. Milan skillfully moves between the painter and the narrator, combining his knowledge and actions with reflection.(art historian Mira Vujović)”
《四条人》
标题很容易理解为四条好汉。因为在中国,优秀的男人被称为“好男人”,古代的“好男人”,非常好的人,被称为好汉--四条好汉。
这四位艺术“好汉”在这个展览中齐聚一堂,旨在展示那些以从属于现代世界的存在主义问题为主旋律的强大的创作者。这四位大师的作品体现了存在主义对主观体验的强化。存在主义警告我们,为保持自我意识而进行的战斗是一场永恒的战斗,充满了英雄主义和悲剧色彩,在一个被物质主义和权力贪婪统治的世界里,这是被迫切需要的。
尽管法国哲学家让?保罗?萨特说: “存在主义美学意味着为社会变革而产生的艺术是优于出于艺术目的而产生的艺术的。” 但我也认为“为艺术目的而产生的艺术”能够有助于对个体存在课题的探究。
这就是徐适艺术理念所体现的。他依照中国哲学思想来表达“无中生有”和“有中见无”的思维精髓,从而进入无我的状态。徐适是一位致力于通过绘画来揭示音乐之美的画家,是中国“音乐抽象论”的创始人。在徐适看来, 绘画能将听觉和视觉结合起来。这就是为什么他的作品揭示了他听音乐时的亲身体验。他的抽象画最好地诠释了音乐既以乐节的形式有序地又同时辅以和弦结构的形式来表达信息。徐适的线性抽象画完美地反映了音乐的结构框架。人们可以在听莫扎特、贝多芬、巴赫或柴可夫斯基等古典大师的音乐时体验到对这种结构的表达。
以下三位艺术家董达峰、Sergiu Roman和Milan Pantelic通过他们强有力的艺术表达阐释了深刻的全球社会及政治变革所释放的非人道的力量给现代社会造成的普遍焦虑。尽管在20世纪,大屠杀和大规模屠杀的战争造成了数百万人死亡,无数人类的痛苦,从而破坏了我们珍视生命、相信共同利益的哲学信仰,但在21世纪,哲学危机却根源于科学发现所带来的变革,这给人们对神,对非物质灵魂、精神及自我的信念最后一击。
董达峰水墨画系列旨在唤起人们对真、善、美的追求。董达峰通过他的作品,揭示了一个由权力、金钱和肉欲驱动的社会的批判性观念。他的系列作品让人们深刻地意识到,这些“粗俗”对任何国家都是一种挑战,是真正的灾难。他的抽象讽刺意味唤醒了人们再次拥抱真正的价值观,警告所有人和子孙后代,在这个被金钱和权力控制和引导的世界里,爱、尊重、公平和诚实将会慢慢消失。艺术家在每一幅画中都使用了符号,并非常仔细地将它们放置在整体构图中,以获得足够的可视性,从而传达信息。董达峰的抽象水墨作品,无论是在他的动感笔触上,还是在他所表达的符号上,都充满了力量。
纵观历史,一些人对他们的同胞的实施非常手段,通过集体和个人犯罪给同胞们带来了痛苦。所有这些都成为Sergiu Roman选择的主题,体现在他强有力的创作中。他的理念背景以存在主义为依托,总是关乎我们生活中的悲剧和极端方面:痛苦、疏远、焦虑。在他的绘画中,他将古典艺术的元素(卡拉瓦乔、戈雅、乔尔乔内、伦勃朗、巴克斯特)与自发的、实验性的片段结合在一起,以抽象表现主义的方式呈现。Sergiu Roman的作品通常不会表现出明确的内容,因为他偏爱高深莫测的构图,让观者带着自己过去的经历和个人的感受去解读。
Milan Pantelic的作品坚持超现实主义艺术家的一般方法: 他们评论社会关注的问题、政治问题或哲学思想。“他所呈现出的恐惧、挣扎和无助不允许我们沉默和冷漠地从这些人物或场景中走过,冷漠地把他们置之脑后。我们的灵敏和反应能力是不可能对此视若无睹的。米兰巧妙地在画家和叙述者之间游走,将他的知识、行为与反思结合了起来。(艺术史学家米拉Vujovi?)”
作者: 戴安娜·罗曼
翻译: 白蓉
徐适 XUSHI,著名艺术家、策展人 出生于北京,深造于中央美术学院油画系高研班。中国美术家协会北京分会员、油画学会会员、中国国际抽象艺术联合体国际总部主席、中国国际抽象艺术学院院长、中国新意象油画副会长、JYQ写意油画研究院副院长、清华大学美术学院油画高研班导师、荷兰皇家艺术学院学术顾问。自1989年起,先后在北京、法国、澳洲、日本、加拿大、美国、澳洲、德国柏林、乌克兰基辅、巴林王国、埃及、摩洛哥首都拉巴特国家剧院美术馆举办油画联展和个人油画世界巡展展览,作品被舍甫琴科国家博物馆、巴林及摩洛哥王国收藏 。
徐适作品海报
XUSHI徐适2020《字意系列 N099》布面综合材料
XUSHI徐适2020《字意系列 N0100》布面综合材料
XUSHI徐适2020《字意系列 N0101》布面综合材料
XUSHI徐适2020《字意系列 N0102》布面综合材料
XUSHI徐适2020《字意系列 N0103》布面综合材料
XUSHI徐适2020《字意系列 N0104》布面综合材料
XUSHI徐适2020《字意系列 N0105》布面综合材料
XUSHI徐适2020《字意系列 N0106》布面综合材料
XUSHI徐适2020《字意系列 N0107》布面综合材料
XUSHI徐适2020《字意系列 N0108》布面综合材料
董达峰,1967年生,河北巨鹿人。知名文化学者、作家、艺术家,收藏家,博物馆研究员。
中国作家协会河北会员,天津市文博学会专业委员会会员。海航集团(天津)项目文化顾问。中国国际抽象艺术学会副主席,中国抽象艺术联合体文化顾问 。
董达峰的作品,有新意有内涵有态度,寓意深奥。欣赏了解他的作品,就必须了解中国历史、文化、传统,并考虑与情感的结合,以及他创作的思想和灵感。
多年来,在恩师张仲老、冯骥才先生的教诲和帮助下默默耕读。近年来,又得到了秦征、杨大辛、吴燃、邓家驹、朱森林、樊建川等多位专家学者的指导和鼓励。
曾荣获在塞尔维亚举办的第22届国际艺术节提名奖,首届国际抽象艺术联展金奖等,作品被多家中外机构和个人收藏,在美国曾与著名艺术大师达利的作品一同展出。
中央电视台、天津电视台、上海电视台、塞尔维亚国家电视台等,《中国文物报》《中国艺术报》《中国商报》《天津日报》《中国收藏》《收藏》《收藏家》等均有报道或转载。
董达峰作品海报
董达峰作品《21世祭系列》之一,2020
董达峰作品《21世祭系列》之二,2020
董达峰作品《21世祭系列》之三,2020
董达峰作品《21世祭系列》之四,2020
董达峰作品《21世祭系列》之五,2020
董达峰作品《21世祭系列》之六,2020
董达峰作品《21世祭系列》之七,2020
董达峰作品《21世祭系列》之八,2020
董达峰作品《春雪飘落牵情处》,2019
董达峰作品《梦里朝雨楚王陵》,2020
塞尔吉欧·罗曼,罗马尼亚艺术家,现居上海。塞尔吉的最新系列绘画,被称为“偏差”,揭示了他所有持续专注于说明人类的脆弱和脆弱,但它的陌生性和不可预测性。在这些概念背景下,他结合了古典艺术的元素(卡拉瓦乔,Rembrandt)与自发的,实验位,在他的抽象表现主义的方式渲染的形式。
哲学和逻辑学士学位,2003年。中国国际抽象艺术学会副会长。
Sergiu Roman, Romanian artist living in Shanghai. Sergiu’s most recent series of paintings, called
“Aberrations”, reveals first of all his continuous preoccupation with illustrating human fragility
and vulnerability, but also its strangeness and unpredictability. Within these conceptual backgrounds
he combines elements from classical art (Caravaggio, Rembrandt) with spontaneous, experimental bits,
in his Abstract-Expressionistic manner of rendering the forms.
Bachelor’s Degree in Philosophy and Logic, 2003.
president of China International Abstract Art Society.
ergiu Roman, Romanian artist living in Shanghai. Sergiu’s most recent series of paintings,
called “Aberrations”, reveals first of all his continuous preoccupation with illustrating human
fragility and vulnerability, but also its strangeness and unpredictability. Within these conceptual
backgrounds he combines elements from classical art (Caravaggio, Rembrandt) with spontaneous, experimental
bits, in his Abstract-Expressionistic manner of rendering the forms.
Bachelor’s Degree in Philosophy and Logic, 2003.
president of China International Abstract Art Society.
塞尔吉欧·罗曼作品海报
False Memory. Oil on canvas, 2020
False Confession. Oil on canvas, 2020
Ferocissimus. Oil on unprimed canvas, 2020
Theatricalities. Oil on canvas, 2020
The Gathering (after Rembrandt). Oil on unprimed canvas, 2020
ABERRATION #3 (after Goya), oil on canvas, 2020
Aberration #7 (Chernobyl), oil on canvas, 2020.
ABERRATION #2, oil on canvas, 2020
Aberration #6, oil on canvas, 2020
Aberration #5, oil on canvas, 2020
米兰·潘泰利奇,1986年1月1日出生于塞尔维亚的萨巴克。他感谢贝尔格莱德应用艺术学院(2010)。获得贝尔格莱德应用艺术学院应用绘画博士学位。曾在塞尔维亚举办13场个展,参加40场团体演出。波兰、埃及、突尼斯、波斯尼亚和黑塞哥维那、俄罗斯、奥地利和黑山。在塞尔维亚、埃及和突尼斯的公共场所(壁画、马赛克)执行了13件艺术品。获7项国际绘画奖。塞尔维亚美术家协会会员,国际青年艺术家联盟名誉主席,中国国际抽象艺术研究院副院长。
Milan Pantelic was born 1.January 1986 in Sabac, Serbia. He gratitude for the Faculty of Applied
Arts (2010) in Belgrade. Received a PhD degree in Applied Painting from the Faculty of Applied
Arts in Belgrade, Department of Applied Painting. Had 13 solo shows and participated in 40 group
exibitions in Serbia. Poland, Egypt, Tunisia, Bosnia and Herzegovina, Russia, Austria, and Montenegro.
Executed 13 works of art in public places (murals, mosaics) in Serbia, Egypt and Tunisia. He recipient
of 7 international awards for painting. He is member of Association of Fine Artists of Serbia (ULUS),
honorary life president of International Alliance of Young Artists (IAYA) and vice president of China
International Abstract Art Institute.
米兰·潘泰利奇作品海报
Class room, oil on canvas, 300x200cm, 2018.
No name, oil on canvas, 120x80cm, 2019.
Blue natural, oil on canvas, 200x130 cm, 2018.
Portret 1, oil on canvas, 200x100 cm, 2017
Portret 4, oil on canvas, 200x130 cm, 2016.
No name, oil on canvas, 200x130 cm, 2016.
No name, oil on canvas, 200x100 cm, 2016.
Red Chair, oil on canvas, 200x160 cm, 2020.
Red lines, oil on canvas, 100x70 cm, 2020.
Do not cross, oil on canvas, 120x80 cm, 2020.
说真的,很高兴编辑这次“2020·中外艺术家/《四条人》隔空·对画”,也真的不容易,应该感谢的人很多很多,这里不一一再提,一同谢谢!
艺术作品是仁者见仁,智者见智的东西,尤其,抽象画,懂的无需解释 ,不懂更无需解释。
言有尽,意无穷,说多了,没嘛用。要么灼眼,要么醉心,要么碎心,要么不画,好的作品自然而然会打动每一位读者和欣赏者。
--- 编者后记
2020.10.2.6.18 董达峰于天津问书斋